{"id":9425,"date":"2016-01-27T16:52:35","date_gmt":"2016-01-27T15:52:35","guid":{"rendered":"https:\/\/xativaturismo.com\/val\/museo-de-bellas-artes\/"},"modified":"2025-10-08T12:32:39","modified_gmt":"2025-10-08T10:32:39","slug":"museu-de-belles-arts","status":"publish","type":"page","link":"https:\/\/xativaturismo.com\/val\/museu-de-belles-arts\/","title":{"rendered":"Museu de Belles Arts de X\u00e0tiva"},"content":{"rendered":"
[vc_row][vc_column][vc_raw_js]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[\/vc_raw_js][\/vc_column][\/vc_row][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/11\/ferran-VII-2.jpg” bg_position=”center bottom” bg_stretch=”true” enable_3d=”true” speed_factor=”0.5″ min_height=”1000″ full_height=”true” padding_top=”200″ visibility=”hidden-sm” el_class=”sombras” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_custom_heading text=”MUSEU DE BELLES ARTS” font_container=”tag:h1|font_size:3.125em|text_align:center|color:%23ffffff|line_height:1″ google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_separator color=”white” border_width=”3″ el_width=”10″][mk_fancy_title color=”#ffffff” size=”25″ font_style=”normal” txt_transform=”none” font_family=”Libre+Baskerville” font_type=”google” align=”center”]Una col\u00b7lecci\u00f3 excepcional troba el seu espai<\/span><\/em>[\/mk_fancy_title][mk_button corner_style=”rounded” size=”medium” url=”#primera” align=”center” bg_color=”#e27a1f”]ENTRAR[\/mk_button][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2025\/02\/cartell_halt.png” bg_position=”center bottom” bg_stretch=”true” enable_3d=”true” speed_factor=”0.5″ min_height=”1000″ full_height=”true” padding_top=”200″ visibility=”hidden-sm” el_class=”sombras” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_custom_heading text=”exposici\u00f3 halt!” font_container=”tag:h1|font_size:3.125em|text_align:center|color:%23ffffff|line_height:1″ google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:700%20bold%20regular%3A700%3Anormal” css=””][vc_separator color=”white” border_width=”3″ el_width=”10″][mk_fancy_title color=”#ffffff” size=”25″ font_style=”normal” txt_transform=”none” font_family=”Libre+Baskerville” font_type=”google” align=”center”]“Artur Heras | Imatges que pensen<\/span>“<\/em>[\/mk_fancy_title][mk_button corner_style=”rounded” size=”medium” url=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2025\/02\/halt-info-planol-i-espais.-1-1.pdf” target=”_blank” align=”center” bg_color=”#e27a1f”]PLANS I ESPAIS[\/mk_button][mk_button corner_style=”rounded” size=”medium” url=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2025\/02\/halt-presentacio-ok-1.pdf” target=”_blank” align=”center” bg_color=”#e27a1f”]M\u00c9S INFORMACI\u00d3[\/mk_button][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/11\/ferran-VII-2.jpg” bg_position=”center bottom” bg_stretch=”true” enable_3d=”true” min_height=”0″ full_height=”true” padding_top=”160″ visibility=”visible-sm” el_class=”sombras” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_custom_heading text=”MUSEU DE BELLES ARTS” font_container=”tag:h1|font_size:1.9em|text_align:center|color:%23ffffff|line_height:1.3″ google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_separator color=”white” border_width=”3″ el_width=”10″][mk_fancy_title color=”#ffffff” size=”25″ font_style=”normal” txt_transform=”none” font_family=”Libre+Baskerville” font_type=”google” align=”center”]Una col\u00b7lecci\u00f3 excepcional troba el seu espai<\/span><\/em>[\/mk_fancy_title][mk_button corner_style=”rounded” size=”medium” url=”#museu” align=”center” bg_color=”#e27a1f”]ENTRAR[\/mk_button][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”40″ padding_bottom=”40″ section_id=”primera” visibility=”hidden-sm” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447839143896{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text css=”.vc_custom_1614776792799{margin-bottom: 0px !important;}”]\n

La Casa de l\u2019Ensenyan\u00e7a<\/h1>\n
\n

L’edifici s’ha remodelat per acollir les noves sales del Museu de Belles Arts. Compta amb una de les col\u00b7leccions pict\u00f2riques p\u00fabliques m\u00e9s importants de la Comunitat Valenciana, amb obres de Ribera, Goya, Vicent L\u00f3pez, Santiago Rusi\u00f1ol, Benlliure i Antoni Mir\u00f3, entre molts d’altres. Exposa tamb\u00e9 destacades peces escult\u00f2riques i de picapedrer. Cal destacar l’ic\u00f2nic retrat de Felip V, invertit cap per avall, en venjan\u00e7a per haver ordenat l’incendi de X\u00e0tiva el 1707. A m\u00e9s de la seua col\u00b7lecci\u00f3 permanent aquest museu que naix amb vocaci\u00f3 de dinamisme exhibeix regularment exposicions temporals.<\/span><\/div>\n[\/vc_column_text][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”40″ padding_bottom=”40″ section_id=”museu” visibility=”visible-sm” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447839143896{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text css=”.vc_custom_1614776802098{margin-bottom: 0px !important;}”]\n

La Casa de l’Ensenyan\u00e7a<\/h1>\n
\n

L’edifici s’ha remodelat per acollir les noves sales del Museu de Belles Arts. Compta amb una de les col\u00b7leccions pict\u00f2riques p\u00fabliques m\u00e9s importants de la Comunitat Valenciana, amb obres de Ribera, Goya, Vicent L\u00f3pez, Santiago Rusi\u00f1ol, Benlliure i Antoni Mir\u00f3, entre molts d’altres. Exposa tamb\u00e9 destacades peces escult\u00f2riques i de picapedrer. Cal destacar l’ic\u00f2nic retrat de Felip V, invertit cap per avall, en venjan\u00e7a per haver ordenat l’incendi de X\u00e0tiva el 1707. A m\u00e9s de la seua col\u00b7lecci\u00f3 permanent aquest museu que naix amb vocaci\u00f3 de dinamisme exhibeix regularment exposicions temporals.<\/span><\/div>\n[\/vc_column_text][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#000000″ bg_position=”center bottom” bg_stretch=”true” min_height=”0″ js_vertical_centered=”true” padding_top=”20″ padding_bottom=”20″ top_shape_style=”jagged-rounded-top” top_shape_color=”rgba(0,0,0,0.01)” top_shape_bg_color=”#000000″ bottom_shape_style=”jagged-rounded-bottom” bottom_shape_color=”#ffffff” bottom_shape_bg_color=”#000000″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_row_inner css=”.vc_custom_1464138036156{padding-bottom: 30px !important;background-color: #000000 !important;}”][vc_column_inner width=”1\/2″ css=”.vc_custom_1450649616055{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][mk_slideshow_box images=”4025,4021,4029″ background_cover=”false” slideshow_speed=”4350″ section_height=”420″][\/mk_slideshow_box][\/vc_column_inner][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][vc_custom_heading text=”UN EDIFICI SINGULAR” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1455032451317{padding-top: 30px !important;}”][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]L’espl\u00e8ndid immoble, constru\u00eft a mitjans del segle XVIII, acull aquest museu destinat a convertir-se en un dels referents de l’art valenci\u00e0. Presenta portada barroca i escut her\u00e0ldic del que va ser fundador de la instituci\u00f3 educativa -l’arquebisbe Mayoral- i va mantindre la seua activitat fins les acaballes del segle passat.
\nLa seua rehabilitaci\u00f3 i adequaci\u00f3 com a museu ha representat un dels projectes culturals m\u00e9s emblem\u00e0tics de la ciutat dels \u00faltims anys.<\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1450051183511{background-color: #000000 !important;}”][vc_column_inner css=”.vc_custom_1450649641308{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][mk_slideshow_box images=”4029,4025,4021″ slideshow_speed=”6853″][\/mk_slideshow_box][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_custom_heading text=”UN EDIFICI SINGULAR” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1455032517402{padding-top: 30px !important;}”][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]L’espl\u00e8ndid immoble, constru\u00eft a mitjans del segle XVIII, acull aquest museu destinat a convertir-se en un dels referents de l’art valenci\u00e0. Presenta portada barroca i escut her\u00e0ldic del que va ser fundador de la instituci\u00f3 educativa -l’arquebisbe Mayoral- i va mantindre la seua activitat fins les acaballes del segle passat.
\nLa seua rehabilitaci\u00f3 i adequaci\u00f3 com a museu ha representat un dels projectes culturals m\u00e9s emblem\u00e0tics de la ciutat dels \u00faltims anys.<\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/12\/15.png” border_color=”#e5e5e5″ full_width=”true” predefined_bg=”15″ sidebar=”sidebar-1″][vc_column css=”.vc_custom_1450641231644{padding-top: 2% !important;}”][vc_row_inner css=”.vc_custom_1464099056445{padding-top: 0px !important;padding-right: 10% !important;padding-bottom: 0% !important;padding-left: 10% !important;}” el_class=”goya”][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464099180641{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2504,2508″ slideshow_speed=”9443″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOSEP DE RIBERA, LO SPAGNOLETTO” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455032539871{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Nascut a X\u00e0tiva, per\u00f2 amb la major part de la carrera desenvolupada com a pintor i gravador a It\u00e0lia, principalment N\u00e0pols, Josep de Ribera va ser un influent pintor barroc que ocupa un lloc destacat en el Museu.<\/span> Sant Maties Ap\u00f2stol<\/span><\/em>, xicoteta joia dip\u00f2sit del Museo del Prado, o tamb\u00e9<\/span> Sant Andreu<\/span><\/em> i<\/span> El Salvador<\/span><\/em>, ens manifesten un representant del tenebrisme que va saber crear imatges de bategant passi\u00f3 religiosa al servei de la Contrareforma cat\u00f2lica.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464099230407{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2490,2678″ slideshow_speed=”8856″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”LA CAPELLA DELS BORJA” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455032763236{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El g\u00f2tic flam\u00edger va tindre una pres\u00e8ncia significativa a X\u00e0tiva, amb la capella que el papa Calixt III va manar construir en la Seu. La capella, segles despr\u00e9s, va ser aterrada. Testimoni de tot aix\u00f2 s\u00f3n les belles restes que conserva el Museu, entre les quals la clau de volta i la m\u00e8nsula de l’\u00e0ngel, que sost\u00e9 l’escut de la destacada fam\u00edlia del Renaixement europeu.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464099243060{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2468,2454″ slideshow_speed=”9000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”GOYA: CAPRICHOS I DISPARATES” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455032858109{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Un dels tresors del museu el constitueix la s\u00e8rie completa de gravats dels<\/span> Caprichos<\/span><\/em> i dels<\/span> Disparates<\/span><\/em>, del pintor Francisco de Goya, provinents de la donaci\u00f3 Carre\u00f1o G\u00f3mez. Els<\/span> Caprichos<\/span><\/em>, considerats clau en l’obra de Goya i en l’art modern, ens ofereixen testimoni insubstitu\u00efble d’una \u00e8poca convulsa. En els enigm\u00e0tics<\/span> Disparates<\/span><\/em> o<\/span> Proverbios<\/span><\/em> el visionari artista aragon\u00e8s enlla\u00e7a la cr\u00edtica al\u00b7leg\u00f2rica amb el pessimisme est\u00e8tic, coincidint amb el retorn a Espanya de l’absolutisme.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1464098719902{padding-top: 0px !important;padding-bottom: 0% !important;}” el_class=”goya”][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464099258230{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2504,2508″ slideshow_speed=”9443″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOSEP DE RIBERA, LO SPAGNOLETTO” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1454935806709{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Nascut a X\u00e0tiva, per\u00f2 amb la major part de la carrera desenvolupada com a pintor i gravador a It\u00e0lia, principalment N\u00e0pols, Josep de Ribera va ser un influent pintor barroc que ocupa un lloc destacat en el Museu.<\/span> Sant Maties Ap\u00f2stol<\/span><\/em>, xicoteta joia dip\u00f2sit del Museo del Prado, o tamb\u00e9<\/span> Sant Andreu<\/span><\/em> i<\/span> El Salvador<\/span><\/em>, ens manifesten un representant del tenebrisme que va saber crear imatges de bategant passi\u00f3 religiosa al servei de la Contrareforma cat\u00f2lica.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464099270853{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2490,2678″ slideshow_speed=”8856″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”LA CAPELLA DELS BORJA” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455032800448{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El g\u00f2tic flam\u00edger va tindre una pres\u00e8ncia significativa a X\u00e0tiva, amb la capella que el papa Calixt III va manar construir en la Seu. La capella, segles despr\u00e9s, va ser aterrada. Testimoni de tot aix\u00f2 s\u00f3n les belles restes que conserva el Museu, entre les quals la clau de volta i la m\u00e8nsula de l’\u00e0ngel, que sost\u00e9 l’escut de la destacada fam\u00edlia del Renaixement europeu.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464099281553{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2468,2454″ slideshow_speed=”9000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”GOYA: CAPRICHOS I DISPARATES” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455032873760{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Un dels tresors del museu el constitueix la s\u00e8rie completa de gravats dels<\/span> Caprichos<\/span><\/em> i dels<\/span> Disparates<\/span><\/em>, del pintor Francisco de Goya, provinents de la donaci\u00f3 Carre\u00f1o G\u00f3mez. Els<\/span> Caprichos<\/span><\/em>, considerats clau en l’obra de Goya i en l’art modern, ens ofereixen testimoni insubstitu\u00efble d’una \u00e8poca convulsa. En els enigm\u00e0tics<\/span> Disparates<\/span><\/em> o<\/span> Proverbios<\/span><\/em> el visionari artista aragon\u00e8s enlla\u00e7a la cr\u00edtica al\u00b7leg\u00f2rica amb el pessimisme est\u00e8tic, coincidint amb el retorn a Espanya de l’absolutisme.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#000000″ bg_position=”center bottom” bg_stretch=”true” min_height=”600″ js_vertical_centered=”true” padding_top=”20″ padding_bottom=”20″ top_shape_style=”jagged-rounded-top” top_shape_color=”rgba(0,0,0,0.01)” top_shape_bg_color=”#000000″ bottom_shape_style=”jagged-rounded-bottom” bottom_shape_color=”#ffffff” bottom_shape_bg_color=”#000000″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_row_inner css=”.vc_custom_1464100331775{background-color: #000000 !important;}”][vc_column_inner width=”1\/2″ css=”.vc_custom_1450781241092{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_col-md-6 vc_hidden-sm vc_hidden-xs”][vc_single_image image=”70254″ img_size=”full” add_caption=”yes”][\/vc_column_inner][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-6 vc_hidden-sm vc_hidden-xs”][vc_custom_heading text=”S\u00cdMBOL DE LA CIUTAT” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1455032938229{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]El quadre de Felip V es troba penjat cap per avall com a c\u00e0stig per les tres vegades que man\u00e0 cremar i destruir la ciutat.<\/span><\/em>[\/mk_blockquote][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]Convertit en s\u00edmbol de la ciutat el retrat de Felip V, obra del pintor local Josep Amor\u00f3s, ocupa un lloc destacat en el Museu. El primer membre de la dinastia dels borbons en Espanya va ordenar, una vegada ven\u00e7uda per la for\u00e7a de les armes el 1707, que X\u00e0tiva f\u00f3ra incendiada i arrasada i els seus habitants desterrats. Com a acte de venjan\u00e7a simb\u00f2lica, i de mem\u00f2ria, a mitjans del segle XX el conservador municipal del Museu va decidir col\u00b7locar el quadre cap per avall.<\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1464100092759{background-color: #000000 !important;}”][vc_column_inner css=”.vc_custom_1450649641308{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_single_image image=”2389″ img_size=”large” add_caption=”yes”][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_custom_heading text=”S\u00cdMBOL DE LA CIUTAT” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1455032952869{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]El quadre de Felip V es troba penjat cap per avall com a c\u00e0stig per les tres vegades que man\u00e0 cremar i destruir la ciutat.<\/span><\/em>[\/mk_blockquote][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]Convertit en s\u00edmbol de la ciutat el retrat de Felip V, obra del pintor local Josep Amor\u00f3s, ocupa un lloc destacat en el Museu. El primer membre de la dinastia dels borbons en Espanya va ordenar, una vegada ven\u00e7uda per la for\u00e7a de les armes el 1707, que X\u00e0tiva f\u00f3ra incendiada i arrasada i els seus habitants desterrats. Com a acte de venjan\u00e7a simb\u00f2lica, i de mem\u00f2ria, a mitjans del segle XX el conservador municipal del Museu va decidir col\u00b7locar el quadre cap per avall.<\/span><\/p>\n


\n<\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”40″ padding_bottom=”40″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447839143896{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text]\n

Les col\u00b7leccions<\/h1>\n
\n

La restauraci\u00f3 de la Casa de l’Ensenyan\u00e7a ha perm\u00e8s l’exhibici\u00f3, en immillorables condicions, de la magn\u00edfica col\u00b7lecci\u00f3 pict\u00f2rica municipal. Aquesta compr\u00e8n des del g\u00f2tic del segle XVI fins les obres d’art contemporani. Destaca la pres\u00e8ncia del barroc amb els quadres de Josep de Ribera, i el conjunt d’obres coet\u00e0nies cedides pel Museo del Prado, en atenci\u00f3 a l’especial relaci\u00f3 de Ribera amb la ciutat de X\u00e0tiva. Ac\u00ed brillen amb llum pr\u00f2pia els llen\u00e7os de grans mestres com Luca Giordano, Carducho, Palomino, Juan Bautista Mazo, aix\u00ed com del taller o de l’escola de Teniers, Breughel, Rembrandt, Murillo i<\/span>
\n<\/span> Vel\u00e1zquez. \u00c9s necessari tamb\u00e9 destacar els retrats de reis que presidien sota dosser la Casa de la Ciutat, entre els quals sobresurt el de Ferran VII obra de Vicent L\u00f3pez, autor tamb\u00e9 d’un<\/span> Sant Sopar<\/span><\/em> excepcional. \u00a0Exposa obres de Benlliure, Rusi\u00f1ol, P\u00e9rez Contel i d’altres artistes contemporanis, com Vento, Hern\u00e1ndez Quero i els valencians Manuel Boix, Artur Heras, Enric Solbes, Antoni Mir\u00f3 i Adri\u00e0 Pina. Compta tamb\u00e9 amb una magn\u00edfica col\u00b7lecci\u00f3 de gravats entre la que destaca la s\u00e8rie completa de<\/span> Caprichos<\/span><\/em> i<\/span> Disparates<\/span><\/em> de Goya.<\/span><\/div>\n[\/vc_column_text][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/12\/15.png” border_color=”#e5e5e5″ full_width=”true” padding_top=”50″ padding_bottom=”40″ predefined_bg=”15″ sidebar=”sidebar-1″][vc_column css=”.vc_custom_1450053013767{padding-top: 0% !important;}”][vc_row_inner css=”.vc_custom_1464098775524{padding-right: 10% !important;padding-bottom: 0% !important;padding-left: 10% !important;}” el_class=”goya”][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1450649736881{padding-top: 2% !important;padding-right: 2% !important;padding-bottom: 2% !important;padding-left: 2% !important;}”][mk_slideshow_box images=”2440,2528,2436″ slideshow_speed=”8756″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”CREU PER A CAMINANTS” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033128178{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El Museu conserva una magn\u00edfica mostra de creu de terme, llaurada en pedra calc\u00e0ria i d’estil g\u00f2tic tard\u00e0. Va estar situada a l’entrada de la ciutat, en el cam\u00ed de Val\u00e8ncia. Ens trobem davant d’un extraordinari treball que va necessitar dels picapedrers m\u00e9s destres.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1450649748815{padding-top: 2% !important;padding-right: 2% !important;padding-bottom: 2% !important;padding-left: 2% !important;}”][mk_slideshow_box images=”70257″ slideshow_speed=”10000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”MISTERI\u00d3S MESTRE DE BORBOT\u00d3” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033203894{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El<\/span> Retaule del Salvador<\/span><\/em>, o de la<\/span> Transfiguraci\u00f3<\/span><\/em>, consta de 22 taules atribu\u00efdes al Mestre de Borbot\u00f3. Es tracta d’un prol\u00edfic artista del XVI valenci\u00e0, d’identitat encara hui desconeguda. Una de les teories acad\u00e8miques assenyala que sota les denominacions Mestre de Borbot\u00f3, Mestre de X\u00e0tiva i Mestre d’Art\u00e9s, als quals s’atribueixen nombroses obres, algunes conjuntes, s’amaga la m\u00e0 d’un \u00fanic mestre. Les diferents denominacions vindrien a indicar la seua evoluci\u00f3 estil\u00edstica, del g\u00f2tic al renaixement.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=”goya”][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1451524945718{padding-top: 2% !important;padding-right: 2% !important;padding-bottom: 2% !important;padding-left: 2% !important;}”][mk_slideshow_box images=”2440,2528,2436″ slideshow_speed=”8756″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”CREU PER A CAMINANTS” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033145792{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El Museu conserva una magn\u00edfica mostra de creu de terme, llaurada en pedra calc\u00e0ria i d’estil g\u00f2tic tard\u00e0. Va estar situada a l’entrada de la ciutat, en el cam\u00ed de Val\u00e8ncia. Ens trobem davant d’un extraordinari treball que va necessitar dels picapedrers m\u00e9s destres.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1451524975399{padding-top: 2% !important;padding-right: 2% !important;padding-bottom: 2% !important;padding-left: 2% !important;}”][mk_slideshow_box images=”2427,2419,2423″ slideshow_speed=”10000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”MISTERI\u00d3S MESTRE DE BORBOT\u00d3” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033221802{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El<\/span> Retaule del Salvador<\/span><\/em>, o de la<\/span> Transfiguraci\u00f3<\/span><\/em>, consta de 22 taules atribu\u00efdes al Mestre de Borbot\u00f3. Es tracta d’un prol\u00edfic artista del XVI valenci\u00e0, d’identitat encara hui desconeguda. Una de les teories acad\u00e8miques assenyala que sota les denominacions Mestre de Borbot\u00f3, Mestre de X\u00e0tiva i Mestre d’Art\u00e9s, als quals s’atribueixen nombroses obres, algunes conjuntes, s’amaga la m\u00e0 d’un \u00fanic mestre. Les diferents denominacions vindrien a indicar la seua evoluci\u00f3 estil\u00edstica, del g\u00f2tic al renaixement.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#000000″ bg_position=”center bottom” bg_stretch=”true” min_height=”0″ padding_top=”20″ padding_bottom=”20″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_row_inner css=”.vc_custom_1450051218976{background-color: #000000 !important;}”][vc_column_inner width=”2\/3″ css=”.vc_custom_1450649831965{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-8 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][vc_single_image image=”70260″ img_size=”full” alignment=”center” style=”vc_box_shadow”][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][vc_custom_heading text=”REIXA DE SANTA CLARA” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1455033291301{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]La clausura i el seu m\u00f3n interior.<\/em>
\n Reial monestir de Santa Clara segle XIV<\/em>[\/mk_blockquote][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1450051218976{background-color: #000000 !important;}”][vc_column_inner css=”.vc_custom_1450649861469{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-8 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_single_image image=”2400″ img_size=”full” alignment=”center” style=”vc_box_shadow”][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_custom_heading text=”REIXA DE SANTA CLARA” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1455033308122{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]La clausura i el seu m\u00f3n interior.<\/em>
\nReial monestir de Santa Clara segle XIV<\/em>[\/mk_blockquote][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/12\/33.png” full_width=”true” predefined_bg=”9″ sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447920632249{padding-top: 2% !important;}”][vc_row_inner css=”.vc_custom_1464098935167{padding-top: 0px !important;padding-right: 10% !important;padding-bottom: 0% !important;padding-left: 10% !important;}” el_class=”goya-blanco”][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464099298336{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”70263″ slideshow_speed=”8700″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOSEP BENLLIURE” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033564591{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El pintor valenci\u00e0 Josep Benlliure, que va viure a cavall dels segles XIX i XX, tamb\u00e9 t\u00e9 una pres\u00e8ncia destacada. Amb el seu particular estil Benlliure va cultivar la pintura costumista, hui dia testimoni prec\u00eds d’una \u00e8poca passada.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464099310505{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2688,2445″ slideshow_speed=”6438″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”NICOLAU FALC\u00d3” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1449853626467{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Sant Nicolau<\/span><\/em> i<\/span> Sant Dion\u00eds<\/span><\/em>, del pintor valenci\u00e0 Nicolau Falc\u00f3, \u00e9s l’\u00faltima taula i l’\u00fanica conservada del retaule de l’Ermita de les Santes de X\u00e0tiva. Falc\u00f3, representant del g\u00f2tic tard\u00e0 i d’un incipient \u00a0renaixement, \u00e9s el precursor d’una important fam\u00edlia de pintors del segle XVI a Val\u00e8ncia.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464099321447{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2473,2683″ slideshow_speed=”9363″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”VICENT L\u00d3PEZ” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033679465{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El<\/span> Sant Sopar<\/span><\/em>, del pintor Vicent L\u00f3pez, \u00e9s una obra excepcional de l’art valenci\u00e0. L\u00f3pez, destacat representant del neoclassicisme espanyol, fou un pintor de cambra de Ferran VII i d’Isabel II. D’ell tamb\u00e9 s’exhibeix un retrat de Ferran VII. L\u00f3pez va ser coetani i “antag\u00f2nic” de Francisco de Goya, ja que va representar el virtuosisme acad\u00e8mic i fred.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=”goya-blanco”][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464099333992{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2634,2694″ slideshow_speed=”8700″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOSEP BENLLIURE” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033577637{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El pintor valenci\u00e0 Josep Benlliure, que va viure a cavall dels segles XIX i XX, tamb\u00e9 t\u00e9 una pres\u00e8ncia destacada. Amb el seu particular estil Benlliure va cultivar la pintura costumista, hui dia testimoni prec\u00eds d’una \u00e8poca passada.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1450649961979{padding-top: 2% !important;padding-right: 2% !important;padding-bottom: 2% !important;padding-left: 2% !important;}”][mk_slideshow_box images=”2688,2445″ slideshow_speed=”6438″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”NICOLAU FALC\u00d3” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1449853626467{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Sant Nicolau<\/span><\/em> i<\/span> Sant Dion\u00eds<\/span><\/em>, del pintor valenci\u00e0 Nicolau Falc\u00f3, \u00e9s l’\u00faltima taula i l’\u00fanica conservada del retaule de l’Ermita de les Santes de X\u00e0tiva. Falc\u00f3, representant del g\u00f2tic tard\u00e0 i d’un incipient \u00a0renaixement, \u00e9s el precursor d’una important fam\u00edlia de pintors del segle XVI a Val\u00e8ncia.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464099344534{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2473,2683″ slideshow_speed=”9363″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”VICENT L\u00d3PEZ” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1455033692982{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]El<\/span> Sant Sopar<\/span><\/em>, del pintor Vicent L\u00f3pez, \u00e9s una obra excepcional de l’art valenci\u00e0. L\u00f3pez, destacat representant del neoclassicisme espanyol, fou un pintor de cambra de Ferran VII i d’Isabel II. D’ell tamb\u00e9 s’exhibeix un retrat de Ferran VII. L\u00f3pez va ser coetani i “antag\u00f2nic” de Francisco de Goya, ja que va representar el virtuosisme acad\u00e8mic i fred.<\/span><\/p>\n


\n<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”50″ padding_bottom=”30″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column width=”1\/3″ css=”.vc_custom_1460651921780{padding-top: 10px !important;padding-bottom: 30px !important;}” offset=”vc_col-lg-4 vc_col-md-4 vc_hidden-sm vc_hidden-xs”][vc_column_text el_class=”goya” css=”.vc_custom_1759849801677{margin-bottom: 0px !important;}”]\n

Informaci\u00f3<\/h1>\n

CASA DE L’ENSENYAN\u00c7A<\/strong>
\nMUSEU DE BELLES ARTS X\u00c0TIVA
\n<\/strong>Pla\u00e7a Arquebisbe Mayoral, 2
\nTel\u00e8fon 962 28 24 55<\/p>\n

HORARI:<\/strong>
\nDe dimarts a dissabte: 10:00\u202fh – 14:00\u202fh | 16:00\u202fh – 18:00\u202fh.
\nDiumenge i festius: 10:00\u202fh – 14:00\u202fh.<\/p>\n

Entrades<\/strong><\/a><\/span>[\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-lg-8 vc_col-md-8 vc_hidden-sm vc_hidden-xs”][mk_advanced_gmaps latitude=”38.9874723″ longitude=”-0.52236″ address=”MUSEU DE BELLES ARTS” pin_icon=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/11\/map-marker-icon6-Custom.png” content_font_color=”#ffffff” height=”650″ map_zoom=”17″ draggable=”false” modify_json=”true” map_json=”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” zoom=”17″][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_bottom=”30″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1460652824401{padding-top: 10px !important;padding-bottom: 30px !important;}” offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-4 vc_hidden-md”][vc_column_text el_class=”goya” css=”.vc_custom_1718212355177{margin-bottom: 0px !important;}”]\n

Informaci\u00f3<\/h1>\n

CASA DE L’ENSENYAN\u00c7A<\/strong>
\nMUSEU DE BELLES ARTS X\u00c0TIVA
\n<\/strong>Pla\u00e7a Arquebisbe Mayoral, 2
\nTel\u00e8fon 962 28 24 55<\/p>\n

De l’11 de juny al 8 de setembre:<\/strong>
\nDe dimarts a diumenge, de 10:00 a 14:30
\nDilluns tancat<\/p>\n

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