{"id":11004,"date":"2016-01-27T16:52:35","date_gmt":"2016-01-27T15:52:35","guid":{"rendered":"https:\/\/xativaturismo.com\/en\/museo-de-bellas-artes\/"},"modified":"2024-09-02T19:53:48","modified_gmt":"2024-09-02T17:53:48","slug":"the-museum-of-fine-arts","status":"publish","type":"page","link":"https:\/\/xativaturismo.com\/en\/the-museum-of-fine-arts\/","title":{"rendered":"The museum of fine arts"},"content":{"rendered":"
[vc_row][vc_column][vc_raw_js]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[\/vc_raw_js][\/vc_column][\/vc_row][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/11\/ferran-VII-2.jpg” bg_position=”center bottom” bg_stretch=”true” enable_3d=”true” speed_factor=”0.5″ min_height=”1000″ full_height=”true” padding_top=”200″ visibility=”hidden-sm” el_class=”sombras” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_custom_heading text=”THE MUSEUM OF FINE ARTS” font_container=”tag:h1|font_size:3.125em|text_align:center|color:%23ffffff|line_height:1″ google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_separator color=”white” border_width=”3″ el_width=”10″][mk_fancy_title color=”#ffffff” size=”25″ font_style=”normal” txt_transform=”none” font_family=”Libre+Baskerville” font_type=”google” align=”center”]An exceptional collection finds its home[\/mk_fancy_title][mk_button corner_style=”rounded” size=”medium” url=”#primera” align=”center” bg_color=”#e27a1f”]ENTER[\/mk_button][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/11\/ferran-VII-2.jpg” bg_position=”center bottom” bg_stretch=”true” enable_3d=”true” min_height=”0″ full_height=”true” padding_top=”160″ visibility=”visible-sm” el_class=”sombras” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_custom_heading text=”THE MUSEUM OF FINE ARTS” font_container=”tag:h1|font_size:1.9em|text_align:center|color:%23ffffff|line_height:1.3″ google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_separator color=”white” border_width=”3″ el_width=”10″][mk_fancy_title color=”#ffffff” size=”25″ font_style=”normal” txt_transform=”none” font_family=”Libre+Baskerville” font_type=”google” align=”center”]An exceptional collection[\/mk_fancy_title][mk_button corner_style=”rounded” size=”medium” url=”#museu” align=”center” bg_color=”#e27a1f”]ENTER[\/mk_button][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”40″ padding_bottom=”40″ section_id=”primera” visibility=”hidden-sm” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447839143896{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text css=”.vc_custom_1614776207378{margin-bottom: 0px !important;}”]\n

La Casa de l\u2019 Ensenyan\u00e7a school<\/h1>\n
\n

The building has been refurbished to house the new Museum of Fine Arts, which holds one of the most important public collections of pictorial art in the Region of Valencia, with works by Ribera, Goya, Vicente L\u00f3pez, Santiago Rusi\u00f1ol, Benlliure, Antoni Mir\u00f3 and many others. It also exhibits outstanding pieces of sculpture and stonemasonry. Of particular note is the iconic portrait of Felipe V, hung upside down in revenge for his having ordered the burning of X\u00e0tiva in 1707. In addition to its permanent collection, this dynamic Museum also regularly holds temporary exhibitions.<\/p><\/div>\n[\/vc_column_text][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”40″ padding_bottom=”40″ section_id=”museu” visibility=”visible-sm” first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447839143896{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text css=”.vc_custom_1614776216031{margin-bottom: 0px !important;}”]\n

La Casa de l\u2019 Ensenyan\u00e7a school<\/h1>\n
\n

The building has been refurbished to house the new Museum of Fine Arts, which holds one of the most important public collections of pictorial art in the Region of Valencia, with works by Ribera, Goya, Vicente L\u00f3pez, Santiago Rusi\u00f1ol, Benlliure, Antoni Mir\u00f3 and many others. It also exhibits outstanding pieces of sculpture and stonemasonry. Of particular note is the iconic portrait of Felipe V, hung upside down in revenge for his having ordered the burning of X\u00e0tiva in 1707. In addition to its permanent collection, this dynamic Museum also regularly holds temporary exhibitions.<\/span><\/div>\n[\/vc_column_text][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#000000″ bg_position=”center bottom” bg_stretch=”true” min_height=”0″ js_vertical_centered=”true” padding_top=”20″ padding_bottom=”20″ top_shape_style=”jagged-rounded-top” top_shape_color=”rgba(0,0,0,0.01)” top_shape_bg_color=”#000000″ bottom_shape_style=”jagged-rounded-bottom” bottom_shape_color=”#ffffff” bottom_shape_bg_color=”#000000″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_row_inner css=”.vc_custom_1464137899892{padding-bottom: 30px !important;background-color: #000000 !important;}”][vc_column_inner width=”1\/2″ css=”.vc_custom_1450649616055{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][mk_slideshow_box images=”4025,4021,4029″ background_cover=”false” slideshow_speed=”4350″ section_height=”420″][\/mk_slideshow_box][\/vc_column_inner][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][vc_custom_heading text=”A UNIQUE BUILDING” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1470160239095{padding-top: 30px !important;}”][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]This splendid mid-18th century building houses a museum destined to become a benchmark in Valencian art. It has a Baroque doorway surmounted by the coat of arms of the founder of the former school, Archbishop Mayoral, where classes were still taught until the end of the last century.
\nIts restoration and refurbishment as a museum has represented one of the city\u2019s most emblematic cultural projects in recent years.[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1450051183511{background-color: #000000 !important;}”][vc_column_inner css=”.vc_custom_1450649641308{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][mk_slideshow_box images=”4029,4025,4021″ slideshow_speed=”6853″][\/mk_slideshow_box][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_custom_heading text=”A UNIQUE BUILDING” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1470160268038{padding-top: 30px !important;}”][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]This splendid mid-18th century building houses a museum destined to become a benchmark in Valencian art. It has a Baroque doorway surmounted by the coat of arms of the founder of the former school, Archbishop Mayoral, where classes were still taught until the end of the last century.
\nIts restoration and refurbishment as a museum has represented one of the city\u2019s most emblematic cultural projects in recent years.<\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/12\/15.png” border_color=”#e5e5e5″ full_width=”true” predefined_bg=”15″ sidebar=”sidebar-1″][vc_column css=”.vc_custom_1450641231644{padding-top: 2% !important;}”][vc_row_inner css=”.vc_custom_1464097789906{padding-top: 0px !important;padding-right: 10% !important;padding-bottom: 0% !important;padding-left: 10% !important;}” el_class=”goya”][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464097561876{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2504,2508″ slideshow_speed=”9443″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOSEP DE RIBERA, LO SPAGNOLETTO” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1454935819668{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Born in X\u00e0tiva, Josep de Ribera spent most of his career as a painter and engraver in Italy, mainly in Naples, and was an influential Baroque artist who now occupies a place of honour in the museum. His San Mat\u00edas Ap\u00f3stol, a small gem from the Prado Museum, or his San Andr\u00e9s and El Salvador, are splendid examples of Tenebrism, a dramatic style of painting that created vibrant images of religious passion in the service of the Catholic Counter-Reformation.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464097614730{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2490,2678″ slideshow_speed=”8856″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”THE CHAPEL OF THE BORGIAS” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470160616998{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The chapel that Pope Callixtus III ordered to be built in what had been the city\u2019s main mosque before being adapted to Christian worship, endowed X\u00e0tiva with a notable flamboyant Gothic heritage. However, centuries later, the chapel was demolished. The only surviving vestiges of its past existence are the beautiful remains preserved in the museum, including the vault keystone and the angel corbel that supported this prominent family\u2019s coat of arms.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464097629016{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2468,2454″ slideshow_speed=”9000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”GOYA: CAPRICHOS AND DISPARATES” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470160750232{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The Carre\u00f1o G\u00f3mez collection has endowed the museum with one of its greatest treasures, the complete series of Francisco de Goya\u2019s <\/span>Caprichos<\/span><\/i> and <\/span>Disparates <\/span><\/i>engravings. The <\/span>Caprichos<\/span><\/i>, considered key in the work of Goya and in modern art, furnishes an irreplaceable insight into a turbulent time. Meanwhile, in the enigmatic <\/span>Disparates<\/span><\/i>, also known as the <\/span>Proverbios<\/span><\/i>, the visionary Aragonese artist combines allegorical criticism with aesthetic pessimism, coinciding with Spain\u2019s return to absolutism.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1464098014944{padding-top: 0px !important;padding-bottom: 0% !important;}” el_class=”goya”][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464097645948{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2504,2508″ slideshow_speed=”9443″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOSEP DE RIBERA, LO SPAGNOLETTO” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1454935806709{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]Born in X\u00e0tiva, Josep de Ribera spent most of his career as a painter and engraver in Italy, mainly in Naples, and was an influential Baroque artist who now occupies a place of honour in the museum. His San Mat\u00edas Ap\u00f3stol, a small gem from the Prado Museum, or his San Andr\u00e9s and El Salvador, are splendid examples of Tenebrism, a dramatic style of painting that created vibrant images of religious passion in the service of the Catholic Counter-Reformation.[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464097660383{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2490,2678″ slideshow_speed=”8856″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”THE CHAPEL OF THE BORGIAS” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470160563028{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The chapel that Pope Callixtus III ordered to be built in what had been the city\u2019s main mosque before being adapted to Christian worship, endowed X\u00e0tiva with a notable flamboyant Gothic heritage. However, centuries later, the chapel was demolished. The only surviving vestiges of its past existence are the beautiful remains preserved in the museum, including the vault keystone and the angel corbel that supported this prominent family\u2019s coat of arms.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464097676988{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2468,2454″ slideshow_speed=”9000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”GOYA: CAPRICHOS AND DISPARATES” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470160784260{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The Carre\u00f1o G\u00f3mez collection has endowed the museum with one of its greatest treasures, the complete series of Francisco de Goya\u2019s <\/span>Caprichos<\/span><\/i> and <\/span>Disparates <\/span><\/i>engravings. The <\/span>Caprichos<\/span><\/i>, considered key in the work of Goya and in modern art, furnishes an irreplaceable insight into a turbulent time. Meanwhile, in the enigmatic <\/span>Disparates<\/span><\/i>, also known as the <\/span>Proverbios<\/span><\/i>, the visionary Aragonese artist combines allegorical criticism with aesthetic pessimism, coinciding with Spain\u2019s return to absolutism.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#000000″ bg_position=”center bottom” bg_stretch=”true” min_height=”600″ js_vertical_centered=”true” padding_top=”20″ padding_bottom=”20″ top_shape_style=”jagged-rounded-top” top_shape_color=”rgba(0,0,0,0.01)” top_shape_bg_color=”#000000″ bottom_shape_style=”jagged-rounded-bottom” bottom_shape_color=”#ffffff” bottom_shape_bg_color=”#000000″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_row_inner css=”.vc_custom_1450650242771{background-color: #000000 !important;}”][vc_column_inner width=”1\/2″ css=”.vc_custom_1450781241092{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_col-md-6 vc_hidden-sm vc_hidden-xs”][vc_single_image image=”70255″ img_size=”full” add_caption=”yes”][\/vc_column_inner][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-6 vc_hidden-sm vc_hidden-xs”][vc_custom_heading text=”SYMBOL OF THE CITY” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1470160886955{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]The portrait of Felipe V is hung upside down to avenge the three times he ordered the city to be burnt and razed to the ground<\/span><\/i>[\/mk_blockquote][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]The work of a local artist, Josep Amor\u00f3s, the portrait of Felipe V has become a symbol of the city and occupies pride of place in the museum. The first member of the Bourbon dynasty in Spain, once Felipe V had conquered the city by force of arms in 1707 he ordered X\u00e0tiva to be burnt and razed to the ground and its inhabitants cast out. In the mid-20th<\/span> century, the municipal curator of the museum decided to hang the picture upside down in an act of symbolic revenge and commemoration.<\/span><\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1450051183511{background-color: #000000 !important;}”][vc_column_inner css=”.vc_custom_1450649641308{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_single_image image=”2593″ img_size=”large” add_caption=”yes”][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_custom_heading text=”SYMBOL OF THE CITY” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1470160919732{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]The portrait of Felipe V is hung upside down to avenge the three times he ordered the city to be burnt and razed to the ground<\/span><\/i>[\/mk_blockquote][vc_empty_space height=”20px”][vc_wp_text el_class=”texto_museo”]The work of a local artist, Josep Amor\u00f3s, the portrait of Felipe V has become a symbol of the city and occupies pride of place in the museum. The first member of the Bourbon dynasty in Spain, once Felipe V had conquered the city by force of arms in 1707 he ordered X\u00e0tiva to be burnt and razed to the ground and its inhabitants cast out. In the mid-20th<\/span> century, the municipal curator of the museum decided to hang the picture upside down in an act of symbolic revenge and commemoration.<\/span><\/span>[\/vc_wp_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”40″ padding_bottom=”40″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447839143896{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text]\n

The collections<\/h1>\n
\n

Thanks to the restoration of the Casa de l\u2019 Ensenyan\u00e7a, X\u00e0tiva\u2019s magnificent pictorial collection can now be displayed in superb conditions. The collection ranges from pieces in the 16th<\/span> century Gothic style to contemporary works of art. There is an outstanding collection of Baroque art, with paintings by Josep de Ribera as well as several works by his contemporaries, on loan from the Prado Museum in recognition of the artist\u2019s special relationship with the city of X\u00e0tiva. Works by great masters such as Luca Giordano, Carducho, Palomino and Juan Bautista Mazo, as well as others from the workshop or school of Teniers, Breughel, Rembrandt, Murillo and Vel\u00e1zquez, speak for themselves and need no introduction here. The museum also houses notable portraits of monarchs which once hung in the City Hall, including one of <\/span>Fernando VII<\/span><\/i> by Vicente L\u00f3pez, who also painted an exceptional <\/span>Santa Cena<\/span><\/i> (Last Supper). Other artists represented in the collection include Benlliure, Rusi\u00f1ol, P\u00e9rez Contel, contemporary artists such as Vento and Hern\u00e1ndez Quero, and the Valencian painters Manuel Boix, Artur Heras, Enric Solbes, Antoni Mir\u00f3 and Adri\u00e0 Pina. There is also a magnificent collection of engravings, among which the complete series of Goya\u2019s <\/span>Caprichos<\/span><\/i> and <\/span>Disparates<\/span><\/i> must take pride of place.<\/span><\/span><\/div>\n[\/vc_column_text][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/12\/15.png” border_color=”#e5e5e5″ full_width=”true” padding_top=”50″ padding_bottom=”40″ predefined_bg=”15″ sidebar=”sidebar-1″][vc_column css=”.vc_custom_1450053013767{padding-top: 0% !important;}”][vc_row_inner css=”.vc_custom_1464097858316{padding-right: 10% !important;padding-bottom: 0% !important;padding-left: 10% !important;}” el_class=”goya”][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464097883099{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2440,2528,2436″ slideshow_speed=”8756″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”THE TRAVELLER\u2019S CROSS” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470161255066{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The museum preserves a magnificent example of a boundary cross, carved in limestone in the late Gothic style. It once stood at the entrance to the city, on the road to Valencia, and is an extraordinarily intricate piece of work that must have required the labours of the most skilled stonemasons.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″ offset=”vc_col-lg-6 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464097895843{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”70258″ slideshow_speed=”10000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”MYSTERIOUS MASTER OF BORBOT\u00d3” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470161385196{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The <\/span>Retablo del Salvador<\/span><\/i> altarpiece, also known as the <\/span>Transfiguraci\u00f3n<\/span><\/i>, consists of 22 panels attributed to the Master of Borbot\u00f3. The identity of this prolific 16<\/span>th<\/span> century Valencian artist remains a mystery even today. Some scholars claim that the Master of Borbot\u00f3, the Master of X\u00e0tiva and the Master of Artes, to whom numerous works have been attributed, sometimes in conjunction, were in fact the same person, and that the different names indicated the Master\u2019s stylistic evolution from the Gothic to the Renaissance.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=”goya”][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464097912444{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2440,2528,2436″ slideshow_speed=”8756″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”THE TRAVELLER\u2019S CROSS” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470161286024{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The museum preserves a magnificent example of a boundary cross, carved in limestone in the late Gothic style. It once stood at the entrance to the city, on the road to Valencia, and is an extraordinarily intricate piece of work that must have required the labours of the most skilled stonemasons.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-6 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464097927194{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2427,2419,2423″ slideshow_speed=”10000″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”MYSTERIOUS MASTER OF BORBOT\u00d3” font_container=”tag:h2|font_size:20px|text_align:left” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1470161418261{padding-top: 10px !important;}”][vc_separator color=”black” align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The <\/span>Retablo del Salvador<\/span><\/i> altarpiece, also known as the <\/span>Transfiguraci\u00f3n<\/span><\/i>, consists of 22 panels attributed to the Master of Borbot\u00f3. The identity of this prolific 16<\/span>th<\/span> century Valencian artist remains a mystery even today. Some scholars claim that the Master of Borbot\u00f3, the Master of X\u00e0tiva and the Master of Artes, to whom numerous works have been attributed, sometimes in conjunction, were in fact the same person, and that the different names indicated the Master\u2019s stylistic evolution from the Gothic to the Renaissance.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#000000″ bg_position=”center bottom” bg_stretch=”true” min_height=”0″ padding_top=”20″ padding_bottom=”20″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column][vc_row_inner css=”.vc_custom_1450051218976{background-color: #000000 !important;}”][vc_column_inner width=”2\/3″ css=”.vc_custom_1450649831965{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-8 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][vc_single_image image=”70261″ img_size=”full” alignment=”center” style=”vc_box_shadow”][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs”][vc_custom_heading text=”REJA DE SANTA CLARA GRILLE” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1470161529452{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]The cloister and its inner world.<\/span><\/i>
\n<\/span><\/i>Royal Monastery of Santa Clara, 14<\/span><\/i>th<\/span><\/i> century<\/span><\/i>[\/mk_blockquote][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1450051218976{background-color: #000000 !important;}”][vc_column_inner css=”.vc_custom_1450649861469{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-8 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_single_image image=”2400″ img_size=”full” alignment=”center” style=”vc_box_shadow”][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md”][vc_custom_heading text=”REJA DE SANTA CLARA GRILLE” font_container=”tag:h2|text_align:center|color:%23dbdbdb” google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1470161558828{padding-top: 30px !important;}”][mk_blockquote style=”line-style” font_family=”Open+Sans” font_type=”google”]The cloister and its inner world.<\/span><\/i>
\n<\/span><\/i>Royal Monastery of Santa Clara, 14<\/span><\/i>th<\/span><\/i> century<\/span><\/i>[\/mk_blockquote][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_image=”https:\/\/xativaturismo.com\/wp-content\/uploads\/2015\/12\/33.png” full_width=”true” predefined_bg=”9″ sidebar=”sidebar-1″][vc_column css=”.vc_custom_1447920632249{padding-top: 2% !important;}”][vc_row_inner css=”.vc_custom_1464098038640{padding-top: 0px !important;padding-right: 10% !important;padding-bottom: 0% !important;padding-left: 10% !important;}” el_class=”goya-blanco”][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464098082169{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”70264″ slideshow_speed=”8700″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOS\u00c9 BENLLIURE” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1450055496814{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The Valencian painter Jos\u00e9 Benlliure, whose life straddled the 19<\/span>th<\/span> and 20<\/span>th<\/span> centuries, is also well represented. In his unique style, Benlliure cultivated Costumbrist painting, and today his work bears witness to a bygone era.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464098094681{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2688,2445″ slideshow_speed=”6438″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”NICOLAU FALC\u00d3” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1449853626467{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]<\/i>Sant Nicolau i Sant Dion\u00eds<\/span><\/i>, <\/span>by the Valencian painter Nicolau Falc\u00f3, is the sole and final panel that has been preserved of the altarpiece from the Ermita de las Santes chapel in X\u00e0tiva. Falc\u00f3, whose work reflects the late Gothic and incipient Renaissance styles, was the forerunner of an important group of painters in 16<\/span>th<\/span> century Valencia.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ offset=”vc_col-lg-4 vc_col-md-12 vc_hidden-sm vc_hidden-xs” css=”.vc_custom_1464098109103{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2473,2683″ slideshow_speed=”9363″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”VICENTE L\u00d3PEZ” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1449853790937{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]La Santa Cena<\/span><\/i>, by the painter Vicente L\u00f3pez, is an exceptional work of Valencian art. L\u00f3pez was a prominent representative of Spanish neo-Classicism and court painter for Fernando VII and Isabella II. His other work displayed here is a portrait of Fernando VII. Although a contemporary of Francisco de Goya, his work was in complete contrast as it reflects cold academic virtuosity.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1464098058345{padding-top: 0px !important;padding-bottom: 0% !important;}” el_class=”goya-blanco”][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464098125126{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2634,2694″ slideshow_speed=”8700″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”JOS\u00c9 BENLLIURE” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1450055496814{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]The Valencian painter Jos\u00e9 Benlliure, whose life straddled the 19<\/span>th<\/span> and 20<\/span>th<\/span> centuries, is also well represented. In his unique style, Benlliure cultivated Costumbrist painting, and today his work bears witness to a bygone era.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464098138852{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2688,2445″ slideshow_speed=”6438″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”NICOLAU FALC\u00d3” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1449853626467{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]<\/i>Sant Nicolau i Sant Dion\u00eds<\/span><\/i>, <\/span>by the Valencian painter Nicolau Falc\u00f3, is the sole and final panel that has been preserved of the altarpiece from the Ermita de las Santes chapel in X\u00e0tiva. Falc\u00f3, whose work reflects the late Gothic and incipient Renaissance styles, was the forerunner of an important group of painters in 16<\/span>th<\/span> century Valencia.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_hidden-lg vc_col-md-12 vc_hidden-md” css=”.vc_custom_1464098152272{padding-top: 2% !important;padding-bottom: 2% !important;}”][mk_slideshow_box images=”2473,2683″ slideshow_speed=”9363″ img_position=”center center”][\/mk_slideshow_box][vc_custom_heading text=”VICENTE L\u00d3PEZ” font_container=”tag:h2|font_size:20px|text_align:left|color:%23f9f9f9″ google_fonts=”font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1449853790937{padding-top: 10px !important;}”][vc_separator align=”align_left” border_width=”2″ el_width=”10″ el_class=”separador”][vc_column_text disable_pattern=”false”]La Santa Cena<\/i>, by the painter Vicente L\u00f3pez, is an exceptional work of Valencian art. L\u00f3pez was a prominent representative of Spanish neo-Classicism and court painter for Fernando VII and Isabella II. His other work displayed here is a portrait of Fernando VII. Although a contemporary of Francisco de Goya, his work was in complete contrast as it reflects cold academic virtuosity.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”50″ padding_bottom=”30″ first_page=”true” last_page=”true” sidebar=”sidebar-1″][vc_column width=”1\/3″ css=”.vc_custom_1460650442064{padding-top: 10px !important;padding-bottom: 30px !important;}” offset=”vc_col-lg-4 vc_col-md-4 vc_hidden-sm vc_hidden-xs”][vc_column_text el_class=”goya” css=”.vc_custom_1718212748183{margin-bottom: 0px !important;}”]\n

Information<\/h1>\n

CASA DE L’ENSENYAN\u00c7A<\/strong>
\nMUSEO DE BELLAS ARTES X\u00c0TIVA
\n<\/strong>No. 2, Plaza Arzobispo Mayoral<\/span>
\nTelephone: 962 28 24 55<\/span><\/p>\n

From June 11 to September 8:<\/strong>
\nFrom Tuesday to Sunday, from 10:00 a.m. to 2:30 p.m.
\nClosed Monday<\/p>\n

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Information<\/h1>\n

CASA DE L’ENSENYAN\u00c7A<\/strong>
\nMUSEO DE BELLAS ARTES X\u00c0TIVA
\n<\/strong>No. 2, Plaza Arzobispo Mayoral<\/span>
\nTelephone: 962 28 24 55<\/span><\/p>\n

From June 11 to September 8:<\/strong>
\nFrom Tuesday to Sunday, from 10:00 a.m. to 2:30 p.m.
\nClosed Monday<\/p>\n

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